The
manticore (Early Middle Persian
Martyaxwar; Βάρἰκος
Baricos in Greek) is a legendary creature similar to the Egyptian sphinx. It has the body of a red lion, a human head with three rows of sharp teeth (like a shark), and a trumpet-like voice. Other aspects of the creature vary from story to story. It may be horned, winged, or both. The tail is that of either a dragon or a scorpion, and it may shoot poisonous spines to either paralyze or kill its victims. It devours its prey whole. It leaves no clothes, bones, or possessions of the prey behind. During the early centuries, it was often believed that when a person would go missing, it was evidence that it was caused by a manticore and that manticore were real. The creature's feet may be those of a dragon, but are most often described as the paws of a lion. Its size ranges from the size of a lion to the size of a horse. It is also mistaken as a bearded man when seen from a distance.
Origin
The manticore myth was of Persian origin, where its name was "man-eater" (from early Middle Persian مارتیا
martya "man" (as in human) and خوار
xwar- "to eat"). The English term "manticore" was borrowed from Latin
mantichora, itself borrowed from Greek μαντιχωρας—an erroneous pronunciation of the original Persian name. It passed into European folklore first through a remark by Ctesias, a Greek physician at the Persian court of King Artaxerxes II in the fourth century BC, in his notes on India ("Indika"), which circulated among Greek writers on natural history but have not survived. The Romanised Greek Pausanias, in his
Description of Greece, recalled strange animals he had seen at Rome and commented,
The beast described by Ctesias in his Indian history, which he says is called martichoras by the Indians and "man-eater" by the Greeks, I am inclined to think is the tiger. But that it has three rows of teeth along each jaw and spikes at the tip of its tail with which it defends itself at close quarters, while it hurls them like an archer's arrows at more distant enemies; all this is, I think, a false story that the Indians pass on from one to another owing to their excessive dread of the beast. (Description, xxi, 5)
Pliny the Elder did not share Pausanias' skepticism. He followed Aristotle's natural history by including the
martichoras—mistranscribed as
manticorus in his copy of Aristotle and thus passing into European languages—among his descriptions of animals in
Naturalis Historia, c. 77 AD.
Later, in
The Life of Apollonius of Tyana Greek writer Flavius Philostratus (c. 170–247) wrote:
And inasmuch as the following conversation also has been recorded by Damis as having been held upon this occasion with regard to the mythological animals and fountains and men met with in India, I must not leave it out, for there is much to be gained by neither believing nor yet disbelieving everything. Accordingly Apollonius asked the question, whether there was there an animal called the man-eater (martichoras); and Iarchas replied: "And what have you heard about the make of this animal ? For it is probable that there is some account given of its shape." "There are," replied Apollonius, "tall stories current which I cannot believe; for they say that the creature has four feet, and that his head resembles that of a man, but that in size it is comparable to a lion; while the tail of this animal puts out hairs a cubit long and sharp as thorns, which it shoots like arrows at those who hunt it.
Manticore in an illustration from the Rochester Bestiary
Pliny's book was widely enjoyed and uncritically believed through the European Middle Ages, during which the manticore was sometimes illustrated in bestiaries. The manticore made a late appearance in heraldry, during the 16th century, and it influenced some Mannerist representations, as in Bronzino's allegory The Exposure of Luxury, (National Gallery, London)— but more often in the decorative schemes called "grotteschi"— of the sin of Fraud, conceived as a monstrous chimera with a beautiful woman's face, and in this way it passed by means of Cesare Ripa's Iconologia into the seventeenth and eighteenth century French conception of a sphinx.
North Cerney All Saints figure of a manticore on the South wall of the South transept
A manticore features as medieval sixteenth century graffiti on the wall of North Cerney church in Gloucestershire; it was seen as an unholy hybrid of the zodiacal signs Leo, Scorpio and Aquarius
In Popular Cultures
- Canadian writer Robertson Davies wrote a novel titled The Manticore, published in 1972. It is the second volume of his "Deptford Trilogy. [4]
- A manticore is an essential plot device in Piers Anthony's first Xanth novel, A Spell for Chameleon, and appears on the original paperback's cover.
- Grotteschi the Red, a manticore, is a central character in the second book of Catherynne Valente's The Orphan's Tales.
- In the Divine Comedy, Geryon is depicted as a manticore-like demon that dwells at the deep barrier between the circles of violence and fraud.
- In David Weber's Honorverse series of stories, Manticore is the capital planet of the Star Kingdom of Manticore. The mythical beast is featured heavily in the kingdom's heraldry and emblems.
- Following the success of their second album, Tarkus – which featured a manticore in the artwork and lyrics – Emerson, Lake & Palmer founded Manticore Records in 1973. An ELP retrospective box set released in 1993 was titled The Return of the Manticore, and included artwork similar to the manticore from Tarkus and the Manticore Records label.
- A manticore is the antagonist in "Love in the Time of Dragons", an episode of the BBC TV series Merlin.
- The first book in the Sorcery! series of gamebooks depicts a manticore on the cover.
- In the third Percy Jackson Book, Percy, Bianca and Nico meet a manticore at West Over Hall