Originally Posted by
MikeHoy
Still working on my version of sode tsuri komi goshi, any advice? Ignore the bland title
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Also wtf do you guys do when you throw someone into a bridge
Drives me maaaaad
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Not sure what 'soto hane goshi' is but heres what hane goshi should look like.
Well, I'd like to point out that I've always been taught that Hane Goshi was always with a bent sweeping leg inside uke's legs. But forgive me, I should have elaborated a little bit. "Soto hane goshi" is basically a throw I made up in real life, gave it a japanese name because I like the way they sound better than most other names. I named it "soto' hane goshi' because of the basic "springing" (hane) action in the throw, with the prefix "soto" meaning "outside" or "outer." Not a pure-bred judo throw, I admit.
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To answer your question though, I usually try to fracture shoulders and pecs and stuff like that prior to the throw, to avoid the bridge. If I have inside grips I will usually force their arms to bend, or do a "wrist pop."
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This may help you with the sode tsuri komi goshi. When I do this throw in Toribash, I relax my leading shoulder when turning in for the throw, while my inner shoulder actually lifts the uke off the ground slightly, taking his ground control while I'm vulnerable, a.k.a hopping into position. I would only execute this throw both on Toribash and real life after a jerk in the opposite direction. The torque from the false pull, say for example going for a sasae tsuri komi ashi will do one of two things: actually throw you opponent, or cause them to react, resisting your initial throw, until you add their resistance to your secondary throw, tsuri komi goshi.
Last edited by Iskenos; Sep 21, 2016 at 09:56 PM.
Reason: <24 hour edit/bump